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A Umbra Omega

by Dodheimsgard (DHG)

supported by
Jordan Vauvert
Jordan Vauvert thumbnail
Jordan Vauvert A Umbra Omega est dans la lignée de 666 International : avant-gardiste, imprévisible, inconstant mais il est bien plus organique. Le black metal y sert de catalyseur pour une folie sans borne capable de conjuguer technique à la précision millimétrée et expérimentations démentes qui apparaissent avec une spontanéité à en donner des sueurs froides.

《 There is a place called reality
Hidden to all men
You can reach it through insanity
But never to return again 》
— Dødheimsgard, "Aphelion Void". Favorite track: Aphelion Void.
Ippocalyptica
Ippocalyptica thumbnail
Ippocalyptica On par with the very best black metal of all time, and for that matter, any and all metal, period. When I first heard this seven years ago, I was not ready to appreciate its polyglot mastery, such was the scope of its avant-garde nature and the intensity with which it was presented. With A Umbra Omega, DHG owned the whole “jazz in black metal” trend before it even got off of the ground, and they were - and arguably remain - the classiest purveyors of technical BM around. A work for the ages!
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about

THE NORWEGIAN EXPERIMENTAL BLACK PROGRESSIVE METAL PURVEYORS RETURN WITH A 68 MINUTE DARK MASTERPIECE OF CHALLENGING & UNNERVING INTROSPECTION.

Norway’s Dødheimsgard was formed in 1994 by Vicotnik & Aldrahn. The early incarnation was that of a raw and melodic black metal band, with their debut album also featuring Fenriz of Darkthrone on bass, before the poisons of a more avantgarde & schizophrenic concoction started to take hold.

One of the top bands and boundary-pushing visionaries of the mid-90’s Norwegian Black Metal evolution, having released 4 full-length albums since their inception, DHG are widely hailed as masters of dark & psychotic psychedelia-tinged extremity.

The first fruits of DHG’s re-animated labour manifest in the shape of new studio album, ‘A Umbra Omega’, with original co-founding member Aldrahn (Thorns/The Deathtrip) making a return to the asylum on vocal duties alongside Vicotnik’s exquisite & unconventional compositions & structures.

‘A Umbra Omega’ is DHG’s first album since 2007’s ‘Supervillain Outcast’ opus, and undoubtedly marks the band’s most challenging work to date; twisted, technical, sprawling epics & an inverted outlook on existence from the depths of band mastermind/writer/producer Vicotnik, with similarities drawn to previous classic DHG works such as ‘666 International’ and ‘Satanic Art’ whilst being taken to a whole new level.

A raw and organic production permeates the album courtesy of Vicotnik himself, with the album mastered at Strype Audio in Oslo by Tom Kvålsvoll.

credits

released March 16, 2015

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Peaceville London, UK

Peaceville Records is a British independent metal-oriented record label founded in Dewsbury, England in 1987 - artists over the years include Katatonia, Darkthrone, Paradise Lost, Opeth, Cradle Of Filth, My Dying Bride and Anathema

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