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Dying to Live, Living to Die

by Violation Wound

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Lute FP
Lute FP thumbnail
Lute FP Not sure there’s such a thing as “100% real punk rock”, but who cares. This band is fucking awesome, sounding like Motörhead went hard core, with nods to thrash throughout. The riffs are off the hook and easily as contagious as covid sub-variants.
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Pay To Hate 00:56
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Hostage 00:48

about

THE NEW STUDIO ALBUM OF AGGRESSIVE HARDCORE PUNK SAVAGERY FRONTED BY AUTOPSY’S CHRIS REIFERT

Californian act Violation Wound was born in a beer and whiskey soaked basement in June of 2013, driven to create 100% real punk rock. Nothing trendy, nothing wimpy, nothing pretentious, just fuelled by aggression and kick ass riffs. Violation Wound is not interested in modern, plastic or safe crap, instead honoring the raw, dirty and pissed off ways of the original innovators, while carving out a path all of their own.

Continuing on from last year’s ‘With Man in Charge’, the returning line-up of Autopsy (& former Abscess) mastermind Chris Reifert on guitars and vocals, alongside Bassist Joe Orterry & drummer Matt O’Connell, indulge in a new ferocious attack of violent and head-pounding punk, rupturing the eardrums with Reifert’s trademark rabid delivery during new album ‘Dying to Live, Living to Die’ .

Recorded at Hyde St. Studios in San Francisco, Ca, in July 2019 & engineered by Sam Zuerner, ‘Dying to Live, Living to Die’ is a sneering and unrelenting assault on the current world climate amid its demise, and the continuing deterioration of minds & societies.

The artwork was created once more by notable artist Wes Benscoter (Autopsy, Slayer, Nile), with another stellar dark & morbid classic.

credits

released November 1, 2019

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Peaceville London, UK

Peaceville Records is a British independent metal-oriented record label founded in Dewsbury, England in 1987 - artists over the years include Katatonia, Darkthrone, Paradise Lost, Opeth, Cradle Of Filth, My Dying Bride and Anathema

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